It’s a small world we live in. The latest scholarly review of A Wretched Man, a novel of Paul the apostle, comes from the opposite side of the globe—Dunedin, New Zealand. Dean of Studies at the Knox Centre for Ministry and Leadership, Dr. Jason Goroncy, offers his review which praises the attempt to reimagine theology through art. The following is an excerpt, but you can read the entire review at Dr. Goroncy’s blog, Per Crucem ad Lucem.
[T]he communication of divine truth demands the work of the very imagination it is determined to sanctify. So Jonathan Edwards: ‘Unless you use imagination, unless you take a truth and you image it – which of course is art – you don’t know what it means’. Or, citing John Henry Newman:
The ways in which we ‘see’ the world, its story and its destiny; the ways in which we ‘see’ what human beings are, and what they’re for, and how they are related to each other and the world around them; these things are shaped and structured by the stories that we tell, the cities we inhabit, the buildings in which we live, and work, and play; by how we handle – through drama, art and song – the things that give us pain and bring us joy. What does the world look like? What do we look like? What does God look like?
This is precisely why I welcomed reading Obie Holmen’s A Wretched Man: A Novel of Paul the Apostle. Holmen seeks to … situate Paul in his geographical, social, historical and psychological landscape, and gift us with a creative way of hearing afresh the letters that make up the bulk of the New Testament.
According to Holmen, prior to his fire-side conversion-encounter with Yeshua (Jesus), ‘Paulos (Paul), the defender of orthodoxy, had acquired a proud identity and a status; self-righteousness became the dressing for his wounds, masking his inner torment’ (p. 75). Indeed, ‘the wretched man wandered the streets of Tarsos, lost and alone, accursed and condemned’ (p. 54). Thereafter, Holmen paints Paulos as one who is seeking to carve out the implications – for Torah, for Jewish privilege, for our understanding of God, etc. – of this radical encounter with Yeshua. The entire story takes place, markedly, against Paul’s own conflict – the ‘inner torment’ – between his inherited (and then reconstituted) theology and his homosexuality, the latter manifest in his relationship with Gentile friend Arsenios. Augustine once suggested, to the shock of some of his fellow bishops, that St Paul may have been ‘greatly tainted by sexual desires’. In his portrait of the gay Apostle Paul, Holmen exploits this suggestion beyond what the old bishop of Hippo may have had in mind, and some readers may well lay the book down because of such. But such action would, in my view, represent a premature judgement.
… Holmen is a gifted writer, and his well-researched yarn is certain to encourage readers to read the Bible in a new light, with a deepened awareness of the groundedness of its message, with a new appreciation of the real humanity of its figures, and – I suspect most importantly for the author – a renewed wonderment of the magic of divine grace.
Dom Crossan and Paul the apostle
Author: Obie HolmenJul 6
Recently, he has turned his attention to Paul the apostle. A few years ago, he co-authored, with Marcus Borg, an excellent book entitled The First Paul (2009), which I reviewed in three separate posts. Here’s a link to the three posts in reverse order. The central thesis of the book is that the thirteen New Testament books traditionally ascribed to the pen of Paul the apostle may be broken into three groupings: a) the radical and authentic Paul who was a social visionary vis a vis the existing culture—an opponent of slavery and proponent of a strong role for women, b) the conservative Paul, three books that may have been written by Paul but probably weren’t and which evinced a retreat from his radical social views, and c) the reactionary Paul, the so-called pastoral epistles consisting of 1st & 2nd Timothy and Titus, which were definitely not written by Paul and indeed were written to correct Paul’s radicalism, to re-establish the Roman social order of slavery and patriarchy.
Crossan is again writing about these themes in a highly public forum, the Huffington Post. His article is not only on the religious section of the Huffpost, but appears on the main page under the banner The Search for the Historical Paul: Which Letters Did He Really Write? As I write this, there are over 200 comments to Crossan’s Huffpost article, and like many public cyberspace forums, the “trolls” dominate. Many are anti-Christian, and a few are conservative Christians who insist, even if the human authorship is not Paul, that the subsequent letters were “spirit-breathed” and thus all letters are consistent and true (the holy trinity of inerrant, infallible, and inspired).
Crossan’s article is brief and seems not to plough new ground but merely restates the conclusions voiced earlier in the collaboration with Borg. Here is the central thesis of the Huffpost article:
Crossan’s article includes this recently rediscovered and cleaned up fresco of Paul dating to the 13th century.
Note that Paul holds not one scroll and not thirteen scrolls but ten, signifying that the dubious authenticity of the pastoral epistles is not merely a recent understanding. Indeed, in 2nd century lists of authoritative books that served as precursors to the formalized New Testament canon, the pastoral epistles are generally not included.
By the time The First Paul was published in 2009, my own manuscript for A Wretched Man, a novel of Paul the apostle was already completed and in the hands of the publisher. Thus, my research did not include The First Paul, but my conclusions were similar–but I had a special authorial problem. In a novel about the life of Paul, how could I suggest that six books traditionally attributed to him were not actually his? Written after his death, such books were not part of his story in a strict sense. Additionally, how could I make the point that he held radical views regarding slavery and women to rebut the traditional stereotype of Paul derived from the NT letters to Timothy and Titus?
My solution was two-fold. First, the novel included the circumstances and the writing and the delivery of the seven “authentic” letters. The six “inauthentic” letters were not mentioned at all, an implicit but indirect statement that they were not part of Paul’s story. Second, Timothy and Titus were important characters in the novel, protégés of Paul. In a purely fictional device, I placed offensive words about women quoted from the NT book of Timothy in the mouth of Timothy the character and offensive words about slavery from the NT book of Titus in the mouth of Titus the character. In both instances, the novel offers a strong rebuke from the lips of Paul.